New Orleans
By Elaine Ernst Schneider
Down the Mississippi, Down to New Orleans…
In 1960, America's top 40 included the song "New Orleans." Written by Gary
U.S. Bonds, New Orleans invited travelers and music lovers to take a trip
"down the Mississippi to New Orleans." According to the song, the city of
New Orleans embraced the charm of southern belles and the mingled aroma of
honeysuckle vines and magnolia blossoms. Blend this with the roaring good
times spawned by the Dixieland music of Basin Street and you have Bonds' New
Orleans.
"The Battle of New Orleans" by Johnny Horton (1959-1960) drew music listeners
in close to the radio to concentrate on lyrics that told the story of
Colonel Jackson fighting the British along the Mississippi. In 1972,
interest was again directed down the Mississippi with the song "The City of
New Orleans," by Steve Goodman. The train rider in the song recalled the
"houses, farms, and fields . . . and the graveyards of rusted automobiles"
that lazily drifted by his window as the train rolled through New Orleans.
So which is it? Historic moss-covered oak trees against a starry southern
night, or the lights of a big city illuminating the way to the home of the
raucous Dixieland jazz that fills the French Quarter?
Sure. It's both.
The Mississippi is still key to New Orleans' flavor and pizzazz. The
seafood, the steamboat cruise, the swamp tours, and the history--it's all
there. And the jazz? Well, there are those who would swear that the uncanny
beat of the music comes from the intrepid rhythm of the Mississippi's
waters.
Colonel Jackson may not be firing his guns on the British anymore, but a royal
carriage tours major landmarks such as the historic battlefields around the city. And those
interested in the fallen soldiers' graves can arrange a visit to the
Cities of the Dead, where New Orleans' above-ground tombs evoke the different eras of New Orleans' history. In the French Quarter, the influence of the past
creates an atmosphere of French colonial tradition and West
Indian Spanish architecture. Southern charm is exemplified
in the plantation homes that dot what is known as River Road, testimonies to
the romanticism of a slower way of life that set its pace by the flow of the
Mississippi.
The beauty and romance of New Orleans are best captured on a steamboat
cruise through one of the world's most active ports. Along the way,
travelers can stop at the Audubon Zoo and the Aquarium of the Americas. The
steamboat won't venture as far as the swamps, but wetlands ecologists stand
ready to guide visitors through a boggy nature trip.
Then, of course, there's the food. New Orleans is known for its unique cuisine--
Creole, Cajun, southern, and French--it's the taste of New Orleans, the flavors of the different cultures that gathered by the Mighty Mississippi.
It Don't Mean a Thing if It Ain't Got That Swing
New Orleans and jazz--the two go together. The birthplace of a distinctive
style of music, New Orleans jazz is its own mix of swing, blues, and
improvisation. From Basin Street to Bourbon Street, the cornets and
trombones blast and the clarinets wail, punctuating the melody of the
Dixieland bands.
Tradition plays a part in the celebration of holidays with parades and
festivals occurring all year long. Of distinction are the Mardi Gras and
St. Patrick's Day parades where the floats themselves are sculptured works
of art. The French Quarter Festival is a three-day celebration of New
Orleans food, music, and people, including the world's largest jazz brunch.
December toasts Christmas with a tribute to jazz. One wonders if Jackson and
his troops might have faced their December battle against the British with
an eye toward going home for Christmas. Perhaps the ghost of a soldier
walks the Hauntings Tour, a legend to those who have gathered to celebrate
"Christmas in New Orleans."
The Mississippi rolls along, sometimes dipping peacefully by elegant
structures that stand as historical monuments amidst Bonds' magnolias, other times roaring to the hustling rhythm of a contemporary harbor that
provides the foundation for a metropolitan economy. According to Horton,
Jackson and his men chased the British into that harbor, all the way "to the
Gulf of Mexico." A hum of activity during the day, a syncopated
embellishment on a jazz theme by night…a reminder that the past can blend with the
present to fulfill destiny. That's The City of New Orleans.
Elaine Ernst Schneider is a freelance writer and music teacher. She has been
writing since high school and has published articles, songs, and children's
work. Presently, Elaine is a curriculum author for Group Publishing.